Göksel Baktagir - Hicaz Saz Semaîsi Ottoman woman Composers - Ida Saide wife of Ömer Pasa *1850 Tchitaté March Ottoman classical music developed in Istanbul and major Ottoman towns from Skopje to Cairo, from Tabriz to Morocco through the palace, mosques, and sufi lodges of the Ottoman Empire.[1] Above all a vocal music, Ottoman music traditionally accompanies a solo singer with a small instrumental ensemble. In recent times instruments might include tanbur (lute), ney (flute), kemençe (fiddle), keman (Western violin), kanun (zither), or other instruments. Sometimes described as monophonic music, the variety of ornamentation and variation in the ensemble requires the more accurate term heterophonic. Ottoman music has a large and varied system of modes or scales known as makams, and other rules of composition. There are more than 600 makams that have been used so far. Out of these, at least 119 makams are formally defined, but today only around 20 makams are widely used. In the sufi teaching, each makam represents and conveys a particular psychological and spiritual state. Sometimes, in certain makams, Ottomans would use different instrumental and vocal musical pieces in order to cure certain medical and psychological conditions. A number of notation systems were used for transcribing classical music, the most dominant being the Hamparsum notation in use until the gradual introduction of western notation. Turkish classical music is taught in conservatories and social clubs ...
Friday, September 21, 2012
Göksel Baktagir - Hicaz Saz Semaîsi
Göksel Baktagir - Hicaz Saz Semaîsi Tube. Duration : 6.08 Mins.
Göksel Baktagir - Hicaz Saz Semaîsi Ottoman woman Composers - Ida Saide wife of Ömer Pasa *1850 Tchitaté March Ottoman classical music developed in Istanbul and major Ottoman towns from Skopje to Cairo, from Tabriz to Morocco through the palace, mosques, and sufi lodges of the Ottoman Empire.[1] Above all a vocal music, Ottoman music traditionally accompanies a solo singer with a small instrumental ensemble. In recent times instruments might include tanbur (lute), ney (flute), kemençe (fiddle), keman (Western violin), kanun (zither), or other instruments. Sometimes described as monophonic music, the variety of ornamentation and variation in the ensemble requires the more accurate term heterophonic. Ottoman music has a large and varied system of modes or scales known as makams, and other rules of composition. There are more than 600 makams that have been used so far. Out of these, at least 119 makams are formally defined, but today only around 20 makams are widely used. In the sufi teaching, each makam represents and conveys a particular psychological and spiritual state. Sometimes, in certain makams, Ottomans would use different instrumental and vocal musical pieces in order to cure certain medical and psychological conditions. A number of notation systems were used for transcribing classical music, the most dominant being the Hamparsum notation in use until the gradual introduction of western notation. Turkish classical music is taught in conservatories and social clubs ...
Göksel Baktagir - Hicaz Saz Semaîsi Ottoman woman Composers - Ida Saide wife of Ömer Pasa *1850 Tchitaté March Ottoman classical music developed in Istanbul and major Ottoman towns from Skopje to Cairo, from Tabriz to Morocco through the palace, mosques, and sufi lodges of the Ottoman Empire.[1] Above all a vocal music, Ottoman music traditionally accompanies a solo singer with a small instrumental ensemble. In recent times instruments might include tanbur (lute), ney (flute), kemençe (fiddle), keman (Western violin), kanun (zither), or other instruments. Sometimes described as monophonic music, the variety of ornamentation and variation in the ensemble requires the more accurate term heterophonic. Ottoman music has a large and varied system of modes or scales known as makams, and other rules of composition. There are more than 600 makams that have been used so far. Out of these, at least 119 makams are formally defined, but today only around 20 makams are widely used. In the sufi teaching, each makam represents and conveys a particular psychological and spiritual state. Sometimes, in certain makams, Ottomans would use different instrumental and vocal musical pieces in order to cure certain medical and psychological conditions. A number of notation systems were used for transcribing classical music, the most dominant being the Hamparsum notation in use until the gradual introduction of western notation. Turkish classical music is taught in conservatories and social clubs ...
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